Monday, January 14, 2019

Trapped Characters



Name: Andri Olafsson
Age: Middle Aged
Role: Chief Of Police





Name: Hinrika
Age: Middle Aged
Role: Police Officer





Name: Ásgeir
Age: Middle Aged
Role: Police Officer




Name: Agnes Eiríkdóttir
Age: Middle Aged
Role: Andri's Ex-Wife




Name: Søren Carlsen 

Age: Older Aged
Role: Ferry Captain




Name: Hjörtur
Age: Young Adult
Role: Potential Suspect




Name: Eiríur Davidsson
Age: Older Aged
Role: Agnes's Farther




Name: Sigurður Gudmundsson
Age: Middle Aged
Role The Harbourmaster




Name: Guðni
Age: Middle Aged
Role: The Hotel Owner



Name: Trausti Einarssson
Age: Middle Aged
Role: Chief Of The New Investigation Team.


























Thursday, January 10, 2019

Trapped Ep.1 - Ep.10 Season 1 Notes

Episode One

  • Opening scene, A teenage couple go into a disused building to do drugs and have sex and there has been a form of arisen hat takes place. The girl dies.
  • Detective is a middle aged white male and separated from his partner
  • Dismembered body found in the water, comes from the ferry 
  • The ferry goes on lock down leaving passengers confused and angry 
  • The detective speaks to the ferry's captain who is having trouble containing passengers causing the detective to promise a set amount of time 
  • The detective looks around a misty yard for the suspects who slips away unnoticed 

Episode Two

  • Protagonist follows suspected killer guy through the snow, They catch him
  •  Two girls found in an abandoned building. People who the suspect brought to the country
  • Two girls brought back to police officers house

Episode Three

  • They find the first person they put into prison dead in a police car
  • They arrest the person who took the photos of the body
  • They found out that the murder did not happen on the ferry

Episode Four

  • Hjörtor is released
  • Hinrika finds one of the girls with a phone that had to be taken for evidence 
  • Hinrika searches for who had recently brought a similar phone 
  • There's An Avalanche

Episode Five

  • The Avalanche consumes a few people injuring them
  • Hjörtur goes to a pool party 
  • Andri finds the injured man but air ambulance can't help
  • The injured person dies

Episode Six

  • Andre gives a speech at church, what the people want other, the truth, he says bout how the murderer is probably someone still in this town
  • They find a person with a camera, Wiseman, who had evidence of Sigurður having an argument with the person found dead.
  • The chef goes to the house where the two children are kept and destroy the snowmen they made trying to keep them hidden.
  • They arrest Sigurður finding the body in the boat he tried to escape in
  • The captain was looking for snowmen in the gardens of the locals, possibly looking for the two children.

Episode Seven

      • Extra police staff arrive
      • The new officer interrogates Sigurður  after finding the chainsaw in his house
      • New officer takes over and rushes a confession possibly leading to false imprisonment
      • Sigurður is taken away with new detective despite Andri having a alibi in favour of Sigurður.
      • Sigurður jumps out the helicopter he was in, committing suicide. 
      • They arrest the captain of the ship.

      Episode Eight

      •  They interrogate the captain.
      • They find Sigurður's fingerprints on the autopsy, but they also find someone else's.
      • Andre thinks the mayor had something to do with the murder.
      • The captain of the ship he saw someone beating someone to half death and knows that person has other powerful people working for him.
      • Andri arrests the the ships engineer
      •  One of the other officers leaked Andri report
      • Andri sleeps with Agnes

      Episode Nine

      • Andri finds a key in the trousers of Agnes farther, the kay fits the lock that was used to trap the mayor in the burning shed.
      • Agnes farther confuses ans Andri leaves to tell the family.
      • The mayor is the one that burnt the place at the beginning

      Episode Ten

      • Guðni has Maggi and Leifer with him in a warehouse, he has a gun and the thee members on the police force are there looking for him
      • Andre finds Guðni with the gun first and  Guðni leads Andri and Leifer into the freezer whilst Hinrika finds and lets Maggi escape
      • Ásgeir gets shot as Hinrika calls for help whilst Guðni tried to find Maggi,  Andri and Leifer escapes the freezer after a talk that confirmed that Guðni had something to do with the two girls which Henries was keeping safe.
      • They eventually find Guðni and arrest him, Agnes leaves Andri and takes the children.





































       



      Thursday, December 13, 2018

      Homelands 15 Mark Question


      Intro - Say your going to analyse Homelands and link to question

      Paragraph 1 - Industries: Who produced Homelands? Budgets? Audience: Viewing figures.

      Paragraph 2 - Narrative: How is narrative links to cultural/ social/ political/ economical context USA.
      Link back to question, how it would be received by the middle east.

      Paragraph 3 - Discussion of gender. How Carries represented. Flawless? How would middle eastern audiences respond to that. Jessica as well.

      Conclusion - Link back to question. How narrative is a mirror of USA. How gender links to social norms.






      Long form television dramas from different countries offer different representations in how Homeland, a television drama series I have studied, could offer alternative meanings to Muslims and give a bias representation of 'the opposition'. Trapped, also another television drama series I have studied, also could promote different representations from other countries as well.

      Homeland was released worldwide early October, 2011. It was produced by a handful of national production companies, these could include, Teakwood Lane Productions, Cherry Pie Productions, and Keshet Broadcasting just to name a couple. Homelands was distributed by 20th Television and the channel the very first season of Homelands was aired on was 'Showtime Television'.  'Metacritic' gave it a rating of 92 out of 100 and 'TV Guide' named it the best TV show of 2011. In terms of a response, the first season of Homelands was a major hit. Around the time Homelands was talked about everywhere you'd go. Viewing figures for Homelands season 1 averaged at around 1.25 million. This compared to it's peak at an average of around 1.95 million viewers, a figure the show achieved in its third season of the TV Drama. Filming locations for the first season include North Carolina, and Tel Aviv, Israel. This would include scenes of CIA and FBI briefing rooms and secrete researching rooms. But also scenes in places of corruption and war. Trapped was released to the viewing public mid-September four years after Homeland, 2015. It was written by Sigurjón Kjartansson and direct by a further more four members of the crew. The Icelandic drama was a world wide release, France 2 aired the first full season, followed by the channel ZDF, in Germany. This was followed by a number of other countries until it reached BBC 4. The show reached sky high viewing figures in its fist season catching the eye for possibly a further second season

      Homelands was produced and made in a response to 9/11. Homelands was made from an extremely controversial origin in an effort to spred bias and unfair propaganda surrounding Islamic and war infested countries. This was information that if you'd have found out at the beginning of season one it could have changed your viewing experience. The way Homelands is written and produced was done in a very negative way toward the religion of Muslims and Islam. This was represented in Homelands through the way anything bad that might have happened being at the fault of Muslims and Islam. Right from the first episode, when Carrie is reacting to the new that a missing US soldier has been found. The way that the Middle Eastern society was again at fault for that was a clear showing of how this long form television drama might run throughout season one of the show. The representation that Homelands offers viewers is that it's a very racist television programme, And the fact that season one was rated so highly by critics provides evidence that the Americanisation of film and TV has led us to ignore clear sighs of racism and Islamophobia. As an audience, people would view characters like Carrie and Saul as American citizens who they could most relate to. However putting yourself into the shoes of a middle eastern citizen would change the way you see Homelands representing itself. Homelands would be received by the Middle eastern society as a racist television drama and so when there was a controversy surrounding Islamic words being sprayed onto walls and backdrops of certain set designs their was nothing Homelands could do in response. In fact the co-creator of the show for the network Showtime said in an interview with 'Time', "We wish we’d caught these images before they made it to air. However, as Homeland always strives to be subversive in its own right and a stimulus for conversation, we can’t help but admire this act of artistic sabotage.” Trapped, on the other hand, was produced with no motive to get back at anyone. In fact comparing it to Homelands, the killer in Trapped is one of their own civilians. Trapped doesn't seem to pass the blame on someone from another country, much like Homelands does, but instead it has an Icelandic member of the community be the killer in the end.

      Gender is key theme throughout season one and Homelands, a television drama as a whole. Carrie is the lead female character, this in itself is an extreme rarity. However Carrie has a major flaw in that she is Bi-Polar. The producers of Homelands must have wanted to be progressive in casting a female character as a lead but they still had to give her a major flaw, which eventually became her downfall. Carries Bi-Polar is a representation of how women through the American film and media industry are not treated as a flawless lead like men would be, but instead as characters to weak to stand the 'hustle and bustle' of  the American streets. Jessica is another representation of the exact same point but this time taken to much more extreme measures. Homeland producers casted Jessica to be a stay at home mother of two who again is 'to weak' to be by herself. Jessica is a character who sums up most women in the American film and media industry. gender in Trapped has also explored the theme of gender through the character of Hinrika. She is a stereotypical sympathetic character proven by the scene where she helps the two young girls found in the back of the camper van.

      In conclusion Homelands narrative is a representation / mirror of America at the time. This could be proven in the way that Homelands presents itself as a islamophobic show












      Americanisation



      American products make most their money in other places rather than the USA. Companies like Macdonalds have stores in an extreme amount of places in the world.

      Related image









      Products:

      • Macdonalds
      • Starbucks
      • Coca Cola
      • Reeses
      • POP Tarts
      • Oreos
      • Apple


      Media:
      • Youtube
      • Google
      • Twitter
      • Snapchat


      Film/Song:

      • Jaws
      • Pulp Fiction
      • Star Wars
      • Wizard Of Oz
      • Elvis Presley
      • Mickey Mouse








































      Monday, December 3, 2018

      Narrative Levi-Strauss




      Good vs Evil
      Sanity vs Insanity
      War vs Peace
      Black vs White
      Men vs Women


      Evaluate The Relevance Of Struss' Narrative Theory To Long Term TV Drama


      Strauss argues the fact that binary oppositions are main and current and very much there in the first season of Homeland. The theory suggests that there is always two oppositional themes that run through the season.


      The way that sanity is portrayed through Carrie and her Bi-Polar suggest that

      Homelands is an TV programme that doesn't just follow the Good vs Evil or the piece vs war. But also contrasting effects on those topics. The theme of sanity vs insanity is something everdent in Carrie's bi-polar, however this is also evident in the way that the oppositional sides are treated. When you look at it from an outsiders perspective Brodie's behaviour is very much iritic and at times insane therefor suggesting you would have to be insane to be a turned agent.

      The War vs piece is present in the first season of Homelands in the way that we see what Carrie gets up to on a consistent daily basis. This shows us all the people in her life that she cares about and would hate it if anything happened to her. It shows the way war is portrayed very simple, white and black with no real deeper meaning. This is explored as well when Brodie was approached to run for congress. Jessica wasn't happy with Brodie taking up on the offer. She thought her and her family wouldn't be safe.

      Men vs Women is explored through the first season of Homelands with the way everyone in the workplace treats Carrie. In the final episode we see Carrie make a breakthrough and go to where the meeting Brodie was attending would be. She contacts Saul and in response Saul calls security to take her away. Generally thought the series Carrie, a strong female roll, was constantly told that she was wrong with her allegations and suspicions of Brodie being a double agent.

      In Homelands the fact of young vs old popped up a lot in regards to Jessica and Brodie's relationship with their children. This was a constaint factor in Homelands as it depicted Brodie making a real connection with Dana and keeping her in line, until the final episode when Dana reached out to her dad and turn him away from exploding himself with the vest.

      In conclusion, Barthes' theory is in keeping with the first season of Homelands and follows it quite well in some ways.



      Narrative Neal



      How it fits into Homelands


      Mise-en-scene

      Fake blood
      Guns
      Bombs
      Detectives
      Eposions
      Dark Rooms 
      Interrogation Room
      Briefing Rooms
      Drugs
      Lie Detector
      Over Shoulder Shots
      Establishing Shots
      Violence

      Narratives

      Investigation
      Audience Don't Know Whether Brody Is Or Isn't
      Family Affairs
      Crime
      Secretive
      Binary Oppositions, Police vs Terrorist
      Phycological
      Politics
      Military

      Stock Characters

      Detective
      Police
      Secret Agent
      Polition
      Military


      Evaluate The Relevance Of Neale's Genre Theory To Long Term Television Drama



      Neale's genre theory is the idea that genre's are ideas shared through different platforms by producers and audiences. Neale's theory includes different parts of the following: mise-en-scene, typical narratives, stock characters, and themes. And his theory also goes onto talk about the use of mixed genres in popular culture and films, becoming a hybrid genre.

      Homelands mise-en-scene is interlinking with Neale's theory in the way that Homelands uses props such as guns and drugs in order to get across to the audience that they follow the genre conventions of other TV Crime Dramas. Homeland also uses the set designs showing dark interrogation rooms and CIA briefing room a lot in their production. Homelands also makes use of classic things you would expect to see in crime dramas, such as lie detector tests, violence, and detectives. This paired with the shot type being that of establishing shots and close up shots all conclude how this is represented as a typical crime drama TV show.

      The first season of Homelands shows its reliability toward the theory of gender in the way that narrative is very much spun around how it is the good vs the bad and the way that Homelands are a hybrid of many different genres. We see that Homeland represents itself as not just a Crime Drama, but also a political drama programs and also military in the way that Brody was a soldier before he got turned into a double agent. As well as this, Carries Bi-Polar is a way to mix further genres into the hybrid in the way it portrays phycological dramas.

      The way that characters have progressed through Homelands are extremely in keeping with the way that it follows other TV drama conventions such as detectives, politicians, and secret CIA agents. Other Crime Drama series follow these stock characters as well. This means that in this particular are of Neal's theory is an are that Homelands fit into very well.
































      Narrative Barthes





      Evaluate The Relevance Of Barthes' Narrative Theory To Long Term TV Drama




      Barthes' theory suggests that their is a connotation and denotation for every sing thing ever made. The denotations are the descriptions in which the obvious is stated, whilst the connotations are 
       descriptions of further contextual meaning.


      The first season of Homelands denotes that there is a discovery and a soldier is found, missing otherwise for eight years. This would then lead onto a further investigation of the soldier with Carrie having her suspicions of this so called war hero. The rest of the season follows Carrie in her investigations in order to get to the bottom of Brodie's erratic behaviour.

      All of what could be described as denotations, could e analysed further. The first season of Homelands connotes a deeper meaning. When Carrie was told about the missing soldier found she has a contratingly different look on her face in comparison to those on the faces of her colleges. This could suggest that Carrie was always going to push the fact that she thinks he is a double agent, she wasn't going to give in. We later her say how her job was on the line and that she needed this investigation to go right. The expression on her face was a mixture of anxiety and worry. Later on in the series Brodie got approached to run for congress, we now know the real reason Brodie wanted to run for this position, however Jessica said it would effect the children and the home life of him and her. the denotations of that scene could be how Jessica doesn't want Brodie o run for congress because of the reasons she stated. contextually, we found out that the only reason Brodie wanted to run for congress was because of the vest he was to ware in the 'safe room'.

      In conclusion Barthes' theory doesn't really link toward many aspects of the series but if you look close enough it might become clear that the theory can be applied to a number of aspects of the season










      BBC Breakfast Show

      Episode from Monday 27th January Special features? Key talking points? - Announcing the line-up for the radio one 'Big Weekend...